Friday, May 21, 2010

First In India


First and Last Indian Governor General of Free India
C. Rajgopalachari

First British Governor of India
Lord William Bentinck

First British Viceroy of India
Lord Canning

First Chairman of Prasar Bharti
Nikhil Chakravorty

First Chairman of Rajyasabha
S.V. Krishnamurthy

First Chief Election Commissioner of India
Sukumar Sen

First Dalit President of India
K. R Narayanan

First Deputy Prime Minister
Vallabh Bhai Patel

First Doctor to receive Nobel Prize in Medicine
Dr.Hargovind Khurana

First Education Minister
Abul Kalam Azad

First Ethnic Indian Prime Minister of Fiji
Mahendra Chaudhury

First Field Marshal of India
General S.P.F.J. Manekshaw

First Foreigner to receive Bharat Ratna
Khan Abdul Gaffar Khan

First Governor General of free India
Lord Mountbatten

First Home Minister of India
Sardar Vallabh Bhai Patel

First Indian Air chief Marshal
S. Mukherjee

First Indian Chess Grandmaster
S Vishwnathan

First Indian Chief Justice
Justice Hiralal J Kania

First Indian Commander-in-chief
General K. M. Kariappa

First Indian Cricketer to score three centuries in three matches successive on debut
Mohd. Azaharuddin

First Indian Cricketer to score Triple Century in Test
Virendra Sehwag

First Indian Judge of International Court of Justice
Dr. Nagendra Singh

First Indian Member of the viceroy's executive council
S.P.Sinha

First Indian Naval Chief
Vice Admiral R. D. Katari

First Indian Pilot
JRD Tata

First Indian to Cross English Channel
Mihir Sen

First Indian to get an Oscar
Bhanu Athaiya

First Indian to get Anderson Award
Ruskin Bond

First Indian to go in space
Squadron Ldr. Rakesh Sharma

First Indian to Join the ICS
Satyendra Nath Banerjee

First Indian to reach Antarctica
Lt. Ran Charan

First Indian to reach in British Parliament
Dada Bhai Naoroji

First Indian to reach the deep sea floor in the Mid Atlantic
P.S. Rao

First Indian to reach the south pole
Col. I K Bajaj

First Indian to Receive Bharat Ratna
Dr. Radha Krishnan

First Indian to receive Jyan Peeth award
Sri Shankar Kurup

First Indian to receive Magsaysay Award
Vinoba Bhave

First Indian to receive Nobel Prize in Economics
Dr. Amartya Sen

First Indian to receive Stalin Prize
Saifuddin Kichlu

First Indian to win Nobel Prize
Rabindra Nath Tagore

First Judge to face Impeachment proceedings in Loksabha
Justice V. Ramaswami

First Muslim President of India
Dr. Jakir Hussein

First Muslim President of Indian National congress
Badruddin Tayyabji

First person to reach Mount Everest without Oxygen
Sherpa Arga Dorji

First person to receive Paramvir Chakra
Major Somnath Sharma

First Person to resign from Central Cabinet
Shyama Prasad Mukharjee

First President of Indian National Congress
W.C. Banerjee

First President of Indian Republic
Dr. Rajendra Prasad

First president to die in Office
Dr. Jakir Hussain

First Prime Minister of Free India
Pt. Jawahar Lal Nehru

First Prime Minister to resign without full term
Morar Ji Desai

First Speaker of Loksabha
Ganesh Vasudeva Mavalankar

First Vice President of India
Dr. S. Radhakrishnan


Wednesday, May 19, 2010

Chidambaram Ragasiyam



Chidambaram - Lord Shiva dances here in Chidambaram. Before we speak of the Dance , we will explore the stage that is Chidambaram.

A temple is called ‘Kovil’ in Tamil. It literally means( Ko- il) the abode of the Lord. Whenever the mere name ‘kovil’ is mentioned, it specially means Chidambaram which is split as Chit( gnana or wisdom) + Ambaram ( akasa or space) .

Structure of a typical Siva Temple

A classical Siva temple as per Agama rules will have five prakaras or circuits each separated by walls one within the other. The outer prakaras will be open to the sky except the innermost one. The innermost one will house the main deity as well as other deities. There will be a massive wooden or stone flag post exactly in line with the main deity. The innermost prakara houses the sanctum sanctorum ( karuvarai in Tamil). In it sits Shiva, the supreme Lord.

Symbolism behind the structure of a Shiva Temple

1. The temple is so constructed as to resemble the human body with all its subtleties.

2. The five walls encircling one another are the kosas ( sheaths) of human existence .
a. The outermost is the Annamaya kosa , symbolizing the material body.
b. The second is Pranamaya kosa , symbolizing the sheath of vital force or prana.
c. The third is Manomaya kosa, symbolizing the sheath of the thoughts, the mana
d. The fouth is the Vignyana maya kosa, symbolizing, the sheath of the intellect
e. The fifth and innermost is the Ananda maya kosa, symbolizing the sheath of Bliss.

3. The sanctum which is in the prakara symbolizing the Ananda Maya Kosa sheath , houses the lord, seated as the Jiva within us. It is to be noted that the sanctum is an unlit space, just as if within the heart closed on all sides.

4. The entry Gopuras are likened to the feet, as resembling a person who is lying on the back with the toe up.

5. The flag post depicts the sushumna nadi which raises from the Mooladhar (base of the spine) to the sahasrar (vertex in the head).

6. Some temples will have three prakarams. There they represent the stoola, sukshma and karana sareeras (bodies) of a human being Some temples have only one and they represent all the five.

Chidambaram temple and its symbolism:

Saint Thirumoolar, whose legend is intricately woven with Chidambaram, says in his thirumanthiram

திருமந்திரம்

மானுடராக்கை வடிவு சிவலிங்கம்
மானுடராக்கை வடிவு சிதம்பரம்
மானுடராக்கை வடிவு சதாசிவம்
மானுடராக்கை வடிவு திருக்கூத்தே

transliterated into English, it reads

mAnudarAkkai vadivu sivalingam
mAnudarAkkai vadivu chidambaram
mAnudarAkkai vadivu sadAsivam
mAnudarAkkai vadivu thirukkoothe

Meaning: “Sivalingam is of the form of the human body; So is Chidambaram ; So is Sadasivam ; And so is his divine dance”.

1. The temple has the above five prakaras resembling the sheaths.
2. Nataraja gives dharshan from the sanctum called Chit Sabha with a golden roof.
3. The roof has 26,000 golden tiles (see picture), denoting the number of breaths of a person in a day.
4. These tiles are fixed to the wooden roof with the help of 72,000 nails depicting the number of nadis (the invisible ducts carrying energy to various parts of the body)
5. As the heart is to the left of the body, the sanctum in Chidambaram is also aligned slightly leftward.
6. On top of the Chit sabha roof, we find nine kalasas (made of copper) depicting the nine shaktis (powers)
7. The roof has 64 cross wooden reapers denoting the 64 arts.
8. The artha mandapa has six pillars denoting the six shastras
9. The mantapa next to the artha mantapa has eighteen pillars symbolizing the eighteen puranas.
10. There are five steps leading to the Chit sabha from the Kanaka sabha depicting the five lettered Panchakshara mantra ( Na ma chi vA ya)
11. The Chit sabha roof is supported by four pillars symbolic of the four Vedas.

Symbolism of Nataraja Swamy

1. Nataraja’s dance is said to indicate the five divine acts which are
a. Creation . Nataraja dances with a small drum called damarukam in one of his right hands. Easwra is nada brahmam. He is the origin of all sounds (nadam).This is the seed (vindu) from which the tree of the Universe emanated.
b. Protection (Operation)- In another of the right hands, he shows the ‘Abhaya Mudra’, meaning he is the kind protector .
c. Destruction; He has fire in one of his left hands , symbolizing destruction. When everything is destroyed by fire, only the ash will remain which the Lord has smeared on his body.
d. The foot which is planted shows the act of hiding
e. The raised foot shows the act of bestowing

2. Nataraja swamy has the Vigraha ( icon) of Devi Sivakama Sundari to his left . This symbolizes Ardhanareeswara , ‘ the Lord who has the female as his left half’. To his right there is a screen. When the deeparadhana – showing lamps takes place to the swamy and to the left side , the screen is removed and we see five vertical long hangings of golden vilva leaves. We see nothing behind it. Sivakami shows the Saguna Brahman (the God with a form) that is Nataraja . The Saguna Brahman leads us to the Nirguna Brahman (the God without form or the God who has formlessness as his form). This is told as ‘Chidambara Rahasyam’ by the Dikshitars , who are the traditional pujaris in the temple.

3. Shiva’s dance is called the cosmic dance by many scholars. In Chidambaram, this dance is called ‘Ananda Tandava’

4. Lord Maha Vishnu also saw the Divine dance. In a nearby mantapa called Chitrakoota, Maha Vishnu, gives us dharshan in his fully reclining Yoga Nidra pose on the snake bed. If one stands on a small lotus sculpted on the floor slab in front of Narayana, one can at the same time see Nataraja in his right side.

5. Sages Patanjali and Thirumoolar also saw Nataraja’s dance in Chidambaram. Their figures are embossed on the Silver doors of the Chit Sabha.